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第50部分(第2页)

Going to school by train; she must leave home at a quarter to

eight in the morning; and she did not arrive again till

half…past five at evening。 Of this she was glad; for the house

was small and overful。 It was a storm of movement; whence there

had been no escape。 She hated so much being in charge。

The house was a storm of movement。 The children were healthy

and turbulent; the mother only wanted their animal well…being。

To Ursula; as she grew a little older; it became a nightmare。

When she saw; later; a Rubens picture with storms of naked

babies; and found this was called 〃Fecundity〃; she shuddered;

and the world became abhorrent to her。 She knew as a child what

it was to live amidst storms of babies; in the heat and swelter

of fecundity。 And as a child; she was against her mother;

passionately against her mother; she craved for some

spirituality and stateliness。

In bad weather; home was a bedlam。 Children dashed in and out

of the rain; to the puddles under the dismal yew trees; across

the wet flagstones of the kitchen; whilst the cleaning…woman

grumbled and scolded; children were swarming on the sofa;

children were kicking the piano in the parlour; to make it sound

like a beehive; children were rolling on the hearthrug; legs in

air; pulling a book in two between them; children; fiendish;

ubiquitous; were stealing upstairs to find out where our Ursula

was; whispering at bedroom doors; hanging on the latch; calling

mysteriously; 〃Ursula! Ursula!〃 to the girl who had locked

herself in to read。 And it was hopeless。 The locked door excited

their sense of mystery; she had to open to dispel the lure。

These children hung on to her with round…eyed excited

questions。

The mother flourished amid all this。

〃Better have them noisy than ill;〃 she said。

But the growing girls; in turn; suffered bitterly。 Ursula was

just ing to the stage when Andersen and Grimm were being left

behind for the 〃Idylls of the King〃 and romantic

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