It was when they brought him to her house dead and in his wet
clothes; his wet; sodden clothes; fully dressed as he came from
market; yet all sodden and inert; that the shock really broke
into her; and she was terrified。 A big; soaked; inert heap; he
was; who had been to her the image of power and strong life。
Almost in horror; she began to take the wet things from him;
to pull off him the incongruous market…clothes of a well…to…do
farmer。 The children were sent away to the Vicarage; the dead
body lay on the parlour floor; Anna quickly began to undress
him; laid his fob and seals in a wet heap on the table。 Her
husband and the woman helped her。 They cleared and washed the
body; and laid it on the bed。
There; it looked still and grand。 He was perfectly calm in
death; and; now he was laid in line; inviolable; unapproachable。
To Anna; he was the majesty of the inaccessible male; the
majesty of death。 It made her still and awe…stricken; almost
glad。
Lydia Brangwen; the mother; also came and saw the impressive;
inviolable body of the dead man。 She went pale; seeing death。 He
was beyond change or knowledge; absolute; laid in line with the
infinite。 What had she to do with him? He was a majestic
Abstraction; made visible now for a moment; inviolate; absolute。
And who could lay claim to him; who could speak of him; of the
him who was revealed in the stripped moment of transit from life
into death? Neither the living nor the dead could claim him; he
was both the one and the other; inviolable; inaccessibly
himself。
〃I shared life with you; I belong in my own way to eternity;〃
said Lydia Brangwen; her heart cold; knowing her own
singleness。
〃I did not know you in life。 You are beyond me; supreme now
in death;〃 said Anna Brangwen; awe…stricken; almost glad。
It was the sons who could not bear it。 Fred Brangwen went
about with a set; blanched face and shut hands; his heart full
of hatred and rage for what had been done to his father;