warmth reminded me that my beautiful wife with her gorgeous thighs had
been sitting here recently; indeed; I had used my reed pen to draw the sorrow
of the unfortunate prisoners before Our Sultan; as my intelligent wife clung to
the reed of my manhood。
The two…page scene I was painting depicted the deliverance of condemned
and imprisoned debtors and their families by the grace of Our Sultan。 I’d
situated the Sultan on the corner of a carpet covered in bags full of silver
coins; as I’d personally witnessed during such ceremonies。 Behind Him; I’d
located the Head Treasurer holding and reading out of the debt ledger。 I’d
portrayed the condemned debtors; chained to each other by the iron shackles
around their necks; in their misery and pain with knit brows; long faces and
some with teary eyes。 I’d painted the lute players in shades of red with beatific
faces as they acpanied the joyous prayers and poems that followed the
Sultan’s presentation of His benevolent gift: sparing the condemned from
prison。 To emphasize deliverance from the pain and embarrassment of debt—
though I had no such plan at the outset—beside the last of the miserable
prisoners; I’d included his wife; wearing a purple dress in the wretchedness of
destitution; along with his longhaired daughter; sorrowful yet beautiful; clad
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in a crimson mantle。 So that this man Black; with his furrowed brows; might
understand how illustrating equaled love…of…life; I was going to explain why
the chained gang of debtors was extended across two pages; I was going to tell
him about the hidden logic of red within the picture; I was going to elucidate
the things my wife and I had laughingly discussed while admiring the piece;
such as how I’d lovingly colored—something the old masters never did—the
dog resting off to the side in precisely the same hue as the Sultan’s caftan of
atlas silk; but he asked me a very rude; discourteous question:
Would I; perchance; have any idea where unfortunate Elegant Effendi might
be?
What did he mean “unfortunate”! I didn’t say that Elegant Effendi was a
worthless plagiarist; a fool who did his gilding for money alone with nary a
hint of inspiration。 “Nay;” I said; “I do not know。”
Had I ever considered that the aggressive and fanatical followers of the
preacher from Erzurum might’ve done Elegant Effendi harm?
I maintained my posure and refrained from responding that Elegant
Effendi himself was no doubt one of their lot。 “Nay;” I said。 “Why?”
The poverty; plague; immorality and scandal we are slave to in this city of
Istanbul can only be attributed to our having distanced ourselves from the