And he closed the door behind her。 Then the child was happy
in the shed that smelled of sweet wood and resounded to the
noise of the plane or the hammer or the saw; yet was charged
with the silence of the worker。 She played on; intent and
absorbed; among the shavings and the little nogs of wood。 She
never touched him: his feet and legs were near; she did not
approach them。
She liked to flit out after him when he was going to church
at night。 If he were going to be alone; he swung her over the
wall; and let her e。
Again she was transported when the door was shut behind them;
and they two inherited the big; pale; void place。 She would
watch him as he lit the organ candles; wait whilst he began his
practicing his tunes; then she ran foraging here and there; like
a kitten playing by herself in the darkness with eyes dilated。
The ropes hung vaguely; twining on the floor; from the bells in
the tower; and Ursula always wanted the fluffy; red…and…white;
or blue…and…white rope…grips。 But they were above her。
Sometimes her mother came to claim her。 Then the child was
seized with resentment。 She passionately resented her mothers
superficial authority。 She wanted to assert her own
detachment。
He; however; also gave her occasional cruel shocks。 He let
her play about in the church; she rifled foot…stools and
hymn…books and cushions; like a bee among flowers; whilst the
organ echoed away。 This continued for some weeks。 Then the
charwoman worked herself up into a frenzy of rage; to dare to
attack Brangwen; and one day descended on him like a harpy。 He
wilted away; and wanted to break the old beasts neck。
Instead he came glowering in fury to the house; and turned on
Ursula。
〃Why; you tiresome little monkey; cant you even e to
church without pulling the place to bits?〃
His voice was harsh and cat…like; he was blind to the child。