deterrent to the entire workshop when we had to scrape away large mistakes;
and what happened to the rituals that surrounded these mistakes?
We also agreed that it was wrong for the Sultan to allow the master
miniaturists to work at home。 We recalled the marvelous warm halva that
came to us from the palace kitchen on early winter evenings after we’d
worked with aching eyes by the light of oil lamps and candles。 Laughing and
with tears in our eyes; we remembered how the elderly and senile master
gilder; who was stricken with chronic trembling and could take up neither pen
nor paper; on his monthly workshop visits brought fried dough…balls in heavy
syrup that his daughter had made for us apprentices。 We talked about the
exquisite pages rendered by the dearly departed Black Memi; Head Illuminator
before Master Osman; discovered in his room; which remained empty for days
after his funeral; within the portfolio found beneath the light mattress he’d
spread out and use for catnaps in the afternoons。
We talked about and named the pages we took pride in and would want to
take out and look at now and again if we had copies of them; the way Master
Black Memi had。 They explained how the sky on the upper half of the palace
picture made for the Book of Skills; illuminated with gold wash; foreshadowed
the end of the world; not due to the gold itself; but due to its tone between
towers; domes and cypresses—the way gold ought to be used in a polite
rendition。
They described a portrayal of Our Exalted Prophet’s bewilderment and
ticklishness; as angels seized him by his underarms during his ascension to
Heaven from the top of a minaret; a picture of such grave colors that even
children; upon seeing the blessed scene; would first tremble with pious awe
and then laugh respectfully as if they themselves were being tickled。 I explained
how along one edge of a page I’d memorated the previous Grand Vizier’s
suppression of rebels who’d taken to the mountains by delicately and
respectfully arranging the heads he’d severed; tastefully drawing each one; not
as an ordinary corpse’s head; but as an individual and unique face in the
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manner of a Frankish portraitist; furrowing their brows before death; dabbing
red onto their necks; making their sorroeaning of
life; opening their nostrils to one final; desperate breath; and shutting their
eyes to this world; and thus; I’d imbued the painting with a terrifying aura of
mystery。
As if they were our own unforgettable and unattainable memories; we
wistfully discussed our favorite scenes of love and war; recalling their most
magnificent wonders and tear…inducing subtleties。 Isolated and mysterious